oranje

Oil on canvas, 36" x 24"

So, with everything that has been happening this past week, I have managed to get in some time in front of the easel. Today, I also started prepping some new canvases and puttered around with some very small pieces.

Mixed medium on panel, 8" x 10"

Mixed medium on panel, 10" x 8"

Mixed medium on panel, 10" x 8"

So, my challenge is to learn how to photograph these black-on-black pieces.

I really like working on these pieces. They are somewhere between painting and casual sketching, and give me a chance to explore.

Untitled 36" x 24"

Oil om canvas
36″ x 24″

A new year. I did start this in December, but got caught up in the holidays.

Don’t go back to sleep, Laurie Trok’s solo exhibit, is a presentation of her collage work. The works are assembled from re-purposed materials, from manila folders to magazine pictures. Her approach to collage is complex, with multiple layers and dimension.

If you missed the opening in December, Laurie Trok’s solo is having a last showing at 3634 Penn Ave this Friday.

Don’t go back to sleep
Laurie Trok
January 6, 6-11PM
Closing Party
Morris Levy Gallery
3634 Penn Avenue

Driftwood by Tom Norulak

I love those unanticipated hours, where you aren’t committed to being somewhere or doing something. Last week, I happened to have one of those little schedule gaps while I was downtown. Putting the time to good use, I swung by 709 Penn Gallery, and I’m so glad that I did.

I very much admire Tom Norulak’s etchings, and his solo, Detritus, provides an overview of his etchings over the last several years. The images are predominantly of industrial and consumer waste, abandoned and overtaken by nature. Not just the softly decayed and greyed flotsam of paper wrappers, though. This series concentrates on larger pieces of waste, like old tires and abandoned oil rigs, and sawblades.

Without exception, the images are in black and white. While the works are grounded in objective imagery, the prints have abstract qualities that show a sense of exploration beyond the immediate. The lighter textures seem gritty and grainy, but on closer examination have an almost crystalline structure. The very deep blacks seem to come away from the surface, or in some instances appear calligraphic. The prints bear up to close examination, providing a complex experience of subject and aesthetics.

I think you can bring your own thoughts to this exhibit; Mr. Norulak has provided the viewer with the information to draw their own conclusions without the condescension of an arts-based “teaching moment” and without brazenly dictating an agenda.

Detritus
Etchings by Tom Norulak
November 25, 2011 – January 8, 2012
709 Penn Gallery
The Trust’s Education & Community Engagement department
412-456-6666

The theme for Unblurred in December is large group shows; it seemed like the larger venues on Penn were all doing some variation of this. It was interesting to see the different takes on that idea, and it made for a very active evening. I am sure I missed as much as I got to during December’s Unblurred.

Winter in Frames at ModernFormations

A fun exhibit of small format works, Winter in Frames invited artists to submit works for public voting. The top three voted artists get a group exhibit. While the gallery typically follows a monthly show rotation, Winter in Frames will remain in place through January 14, when the winners will be announced. If you missed the exhibit opening on December 2, you can always swing by during regular gallery hours, or for first Friday (January 6).

There are several images from the exhibit in the slideshow. And no, I’m not going to say who I voted for. I will say that it was a nice balance of work. Survey shows like this, with no stated theme and no over-arching juror, can be difficult to present. ModernFormation’s Director, Jennifer Quinio Hedges, did a phenomenal job with organizing the installation.

Exhibiting artists include –
Ron Copeland, Julie Urban, Dafna Rehavia Hanauer, Jake Reinhart, Lauren Toohey, Donnie Toomer, Steven M. Yeager, Lizzee Solomon, Katie Sussman, Stephen Tuomala, Stephen Knezovich, Nancy Schuster, L.J. Swiech, Carol Skinger, Ruthanne F. Bauerle, Stephen Haynes, Chris Humphrey, Joel Brown, Mark Zets, Jeff Zets, Eric White, Lindy Hazel LaDue, Rebecca Rose, Kristin Turcsanyi, Susan Contanse, Jes LaVecchia, Mark Mangini, Ryan Emmett, Jay DelGreco, Aimee Manion, and Joseph Materkowski.

Modernformations

Lascaux to Garfield at IRMA FREEMAN CENTER FOR IMAGINATION

Renee Ickes

A special off-the-wall presentation of local artists work, Lascaux to Garfield was a very short exhibit. There were many familiar names, and the exhibit was a joint venture between the Irma Freeman Center and The Puppet Happening.

There were several pieces that stood out for me. Renee Ickes, whose work is pictured above, creates some very cheeky pierced and cut paper pieces. Laurie Trok, who does very intricately layered paper-cut collages, had a couple small pieces in the show. More of her work is available for viewing at her solo show at Morris Levy Gallery, opening December 10.

Puppet Happening is a venture of Tom Sarver’s, who has been producing puppet shows in Pittsburgh for years. He had a mini-festival at the Irma Freeman Center over the weekend, and will be doing more in the future.

Exhibiting artists include: Sheila Ali, Alberto Almarza, Ashley Pixelle Andrews, Tommy Bones, Dean Cercone, Victoria Cessna, Matthew Conboy, Thommy Conroy, Murphi Cook, LEX Covato, Mike Cuccaro, George Davis, Tirzah DeCaria, The Dirty Poet, Sam Ditch, Zach Dorn, Kirsten Ervin, Gabe Felice, Irma Freeman, Claudia Giannini, Karen Hartman, Doug Hill, Jennifer Howison, Renee Ickes, Carolyn Kelly, Jessica Langley, Chris Lisowski, Maria Mangano, Jean McClung, Anna Mikolay, David Luis Montano, John Morris, Lindsay O’Leary, Organza Orgazmica (Scott Andrew, Elin Lennox and Michael McParlane collaboration), Larry Rippel, MJ Sadeghi, Nicole Sarver, Tom Sarver, Jessica Scott, Kate Sherman, Moshe Sherman, Kara Skylling, Steve Smith, Oliver Southgate, Jim Storch, Laurie Trok, Robert Zehmisch & Bob Ziller.

Irma Freeman Center for Imagination. 5006 Penn Avenue. Images from the exhibit are available in the slideshow.

Image Box: Robert Pell

Image Box: Robert Pell

Robert Pell’s low-relief pieces are very fun and beautifully presented. The works, a combination of drawing and cut-outs, are a tribute to his school notebook doodles.

Study Hall Series, Imagebox, 4933 Penn Ave

Notes of interest
Assemble went hyper local for its December exhibit, with an open call to artists living within ten blocks of the space. Lots of fun stuff, images in the slideshow.

The CottonFactory had their last Tee Rex event of the year. They won’t be opening for first Fridays again until March 2012. Note to my artist friends: The CottonFactory has guest vendors for their Tee Rex events. Contact ink[at]cottonfactory.com for details. 5440 Penn Ave.

Jes LaVecchia has her work at the Mr. Roboto Project. These sweetly-colored, illustrative works are very fun, especially on these dreary winter days. Mr. Roboto is open for several special events in December when you can view the exhibit.

Untitled (Tone series)

Modern Formations holds an open call every December; basically, it’s a small works show. What makes it special is -

Visitors to the gallery will place votes for their favorite pieces in the December exhibit, and the top 3 voted artists will receive an opportunity to exhibit together in the month of August 2012, with the theme and/or concept behind the exhibit to be determined by the 3 winning artists.

These artists will be presented with a consignment and exhibition contract upon acceptance of award.

So, okay, here’s the shameless plug part. The above work is my entry into the competition. Yanno, ’cause I don’t want you to get confused and vote for someone else…

I’ll see you at Modern Formations for Unblurred, right?

Winter in Frames
Opening December 2 at 7PM
December 2 – Jan 17, 2012
Modern Formations
4919 Penn Avenue
Pittsburgh PA 15224
412.362.0274
Thursdays 7pm – 9pm
Saturdays 1pm – 4pm or by appointment

Project Pop Up had a soft launch of several spaces during Pittsburgh’s Light Up celebration on November 18. I took a little time on Saturday to tour the spaces, which are all in different stages of readiness. It appears that the Pop Ups cover a lot of ground, from retail to art projects.

Bob Ziller, Awesome Books

I was not able to get into most of the locations, but did make it a point to get at least outdoors images. There is a map available for download, along with a brief description of each of the projects. Below are links to each of the projects, along with address and some descriptions.

The Sweet Lounge
They are billing themselves as a “sober bar” on their website, which is under heavy construction. I got an outdoors shot, but the lounge won’t be open until mid December. The pictures on the site look scrumptious.
901 Penn Ave.

Robot Repairs
Falling under the category of art project, the Robot Repairs shop is an installation work by artist Toby Atticus Fraley. You can read more about it on the project’s website. There are no open hours, what you see is what you get.
210 Sixth St.

Burgheoisie (Listed as Steel Town Craft Co-Lab)
There are several Artist/Designer/Crafter represented at Burgheoisie, with home and personal accessories in abundance. By Suz hats and accessories, beautiful ceramic wares by Robyn’s Nest Pottery, and crafty adornments by Spyral Eyed Studios and Dollz-n-Skullz are sharing the space.
208 Sixth St.

Summer Sky Eternal
The idea of perpetual summer is rather nice. I gather that this project will be offering respite from Pittsburgh’s gloomy weather. It wasn’t up and running when I went by the space.
604 Liberty Ave.

Society for the Advancement of Miniature Curiosa
Aside from the map’s description, I can’t find a single thing on the intertubes about this project. From the map: “A gallery, toy theater parlor, performance space, & workshop that seeks to spark the resurgence of curiosity and wonderment in Downtown Pittsburgh.”
929 Liberty Ave.
2nd Floor

Awesome Books
Awesome Books, headquartered in Garfield, has taken over a space on Liberty Avenue. Bob Ziller was there, greeting the curious, on Saturday. He has a lot of plans for his space. His selection includes small and independent press, collectibles, and memorabilia. Watch for readings and other special events.
929 Liberty Ave.
1st Floor

Community
As with the Society for the Advancement of Miniature Curiosa, the only thing I can find on this project is the description from the map, although it appears that the monitor display is pretty much the project. From the map: “A photographic installation comprised of morphing photographic portraiture, analog televisions, and a wall of personalities and identities, representing the importance of community.”
422 Wood St.

The Pop Up projects is evenly divided into retail and installation concepts. I’ve included a slideshow of the spaces, each carefully captioned. Enjoy! You can read more about the Pop Up project on their site and blog.

I have been following the Occupy movement with interest, since its inception in NYC in October. The recent attempts to forcefully evict protestors from the camps has been disturbing to say the least. From San Francisco to Boston,legal action has been taken to stem the Occupy protests.

Recent use of force tactics have police subduing protestors with pepperspray on UC Davis campus and in Portland.

As with protests in other cities, Occupy Pittsburgh has gathered several region specific issues under its umbrella, most prominent of which is discourse surrounding Fracking. Arrests at Occupy Pittsburgh protests, along with Police confrontation, have been mercifully low. The most recent example I can find of Occupy-related arrests in Pittsburgh were at a Fracking protest event.

I took a little time yesterday to stop in at the Occupy camp in Mellon Green. There were masses of tents, I wouldn’t begin to estimate how many. Yesterday was pretty mild, so a lot of people were wandering around, chatting or performing housekeeping chores. The one thing that I noted was that there was a pretty broad representation of the community. If this is reflected in the other locations for Occupy, it can only be a good thing. With such broad support, surely the movement will have some lasting, meaningful affect.