My tour of Unblurred started out at Dance Alloy, with an open rehearsal of the Staycee Pearl dance company production of Octavia. Open rehearsals offer a great opportunity to get a glimpse into the process of creation, and the communication between choreographer and dancer as they work to balance the vision of the piece. This was such a great way to start the evening. The dancers flowed across the stage, trading phrases in groups and speaking alone. Watching the rehearsal doesn’t tell the whole story, though, and I am looking forward to seeing the entire production.
The narrative was just outside of my reach at the rehearsal. The dancers were like ideagrams, building these complex characters that implied a story. From a visual standpoint only, the scene was varied, with a lot of levels engaged. Also, I really admire the effortless athleticism of dance.
Assemble is a really changing space. The first time I went in, it had been turned into a warren of rooms. Each time, the configuration of the space changes, sometimes through he simple expedience of hanging a tarp, sometimes through judicious installation, which is the case with their current exhibit.
Lizzy De Vita has a solo at Assemble. The works cover several mediums, including site specific installation. There are also two multimedia pieces installed in the gallery, as well as a participation piece where the general public was invited to paint one of the gallery walls.
LaVerne Kemp was a special guest at Artica for November Unblurred, and her work will be available through at least the end of the year. Special shopping tip: Artica is a great place to go for collectibles and quirky little gifts. Tucked in among the tea sets you’ll find work from many local artists, including Christine Bethea’s masks, assembled from found objects.
The Mr. Roboto Project took over a space on Penn Ave. A few months ago. The space is a combination of music venue, gallery and meeting space, so there’s always something happening there. Currently, Mike Budai has installed dozens of small framed works throughout the space. His work has been seen all over tow, in the form of hand-pulled event posters.
When I arrived at Most Wanted Fine Art, it was to the gentle strumming of a guitarist who was covering a favorite singer: John Prine (Souvenir). The guitarist was previewing the upcoming concert by Grand Snafu. Very nice!
Anyway, a few of Jason Sauer’s works were on exhibit. Great assemblage, lots of energy to these pieces.
New kids on the block – Artisan Tattoo/Gallery. This seems to be a pretty popular pairing, by the way; housing art in tattoo parlors. The artists on exhibit for November are all tattoo artists whose custom tattoo work will be available at Artisan when it officially opens in December.
“Butterfly Kingdom: The Artwork of Christian Breitkreutz and Steph Neary”
The works in the exhibit are quirky, ironic and tongue in cheek. Also, mostly small-format pieces. The colors are vivid, as is the wit. Definitely worth checking out.
Dean Cercone, at the Pittsburgh Beautification Project
A little bit of everything. A handful of artists have studios in this cavernous space on Penn Ave. It is not generally open to the public, with the exception of Unblurred. The space hosts guest artists, and the regular denizens are there to talk about current projects and give you a glimpse into their studio practice. It’s a very active space, and lots of fun to visit.
It was a really great evening. As always, I am sure I missed as much as I got to during November’s Unblurred.
Notes of interest
While I was up at Dance Alloy, I stopped into the Tee Rex event that the Cotton Factory puts on. Lots of great Tee’s, and some special guest vendors. It appears the event is held every first Friday, at 5440 Penn Ave.
The Glass center continues with its Ten More Years on Penn exhibit, scheduled through February 11.
Things to watch for on your next Penn Ave tour – Guest artist and craftsman, offering wares at the galleries. Estate sales in buildings that are generally closed. Franktuary! A shortage of pizza by the slice at Spak Brothers.
You can follow any responses to this entry through the RSS 2.0 feed. Both comments and pings are currently closed.